Purple hair ties stretched over a door deal with. SpongeBob plush toys organized neatly on a mattress. Unicorn collectible figurines, a Champion model hoodie, attraction bracelets, seashells. These are a number of the gadgets left behind within the bedrooms of youngsters killed in class shootings in america.
Dad and mom of those murdered youngsters can’t bear to tamper with these possessions or these rooms, for causes that require no rationalization. The presence of those youngsters, of the transient lives they lived and of their dad and mom’ grief, come by means of within the Oscar-shortlisted documentary All of the Empty Rooms, directed by Joshua Seftel.
“For the dad and mom, all of them agreed to take part as a result of they stay to inform the story of their youngsters they usually stay to verify their youngsters are by no means forgotten,” Seftel mentioned at a current Q&A at Vista Home in Los Angeles. “And so, our missions had been aligned.”

A photograph of the bed room of Dominic Blackwell, a 14-year-old boy killed in a capturing at Saugus Excessive College in Santa Clarita, California in November 2019.
Netflix
The mission started with the work of CBS Information correspondent Steve Hartman, who has turn into famend for heartfelt function items. However whereas these lighter tales have made his popularity, a far darker topic has additionally consumed his consideration – the rising variety of youngsters killed at college. “Steve Hartman was first assigned to report on a college capturing in 1997,” notes textual content on display screen within the documentary. “Since he started, college shootings have elevated from 17 to 132 per 12 months.”
All of the Empty Rooms follows Hartman as he visits the properties of a number of youngsters who fell sufferer to highschool shootings. At Hartman’s aspect is photographer Lou Bopp, who – on the invitation of fogeys — paperwork what he sees in these bedrooms. Typically it’s mundane particulars that seize the photographer’s eye.
“A toothpaste tube in a baby’s lavatory and the cap was left off,” Seftel cites by means of instance. “A baby who had rushed to highschool pondering, ‘I’ll put that on later,’ and by no means got here house.”

Photographer Lou Bopp in ‘All of the Empty Rooms’
Netflix
Bopp at all times removes his footwear earlier than getting into one of many bedrooms to {photograph}. “They trusted us,” Bopp mentioned of the dad and mom. “They allow us to within the rooms, and I did every little thing I might to deal with it with the utmost respect and simply taking off my footwear was a part of it and never touching something [in the rooms] was a part of it.”
Seftel says a way of reverence guided the strategy to the filmmaking.
“The important thing was to maintain it actually easy. We wished to [have a] very gentle footprint,” he mentioned. “So, our crew was me and the cinematographer after which our producers, however typically they might keep exterior of the home. So, we’d simply be a couple of folks. We by no means used prime lenses as a result of we by no means wished to must cease and alter a lens. We used zoom lenses. And so they don’t at all times look pretty much as good, however I mentioned, ‘I don’t care. I don’t wish to be altering a lens on this second and drawing consideration to ourselves and what we’re doing and taking over their time for this manufacturing.’”
Seftel added, “The important thing was that we simply tried to attach with the dad and mom and hearken to the tales that they had been telling about their youngsters and tried to make use of that because the guiding star.”

Netflix
All of the Empty Rooms is streaming on Netflix. It gained Greatest Documentary Quick on the Cinema Eye Honors in New York final week, the newest in a string of awards that features prizes on the SCAD Savannah Movie Competition, the Santa Fe Movie Competition, and the Hamptons Worldwide Movie Competition. Its spectacular roster of government producers incudes Lisa Cortés, Claire Aguilar, Sigrid Dyekjær, Geralyn White Dreyfous, Adam McKay, and Steve Kerr, head coach of the NBA’s Golden State Warriors.
Peter Albrechtsen serves as sound mixer. Erin Casper, Stephen Maing, and Jeremy Medoff edited the movie. Matt Porwoll is DoP; Alex Somers composed the music. Somers and Seftel took care to not let the rating overwhelm the movie.
“The method was actually attention-grabbing as a result of [Alex] would give us these tracks and he would give us what’s known as the ‘stems,’ which is the items of the monitor that add as much as a monitor,” Seftel defined. “So, we had all of the layers and each time he gave us one thing, we had been like, ‘I believe it might be lower than this.’ And we simply stored subtracting and subtracting and subtracting till there was simply essentially the most minimal items in there and it simply labored higher each time we thinned it and culled it down… It’s prefer it drew much less consideration. We by no means wished folks to really feel like they had been being instructed what to really feel, as a result of as quickly as that occurs it’s over, I believe, for a movie like this.”
For related causes, Seftel retains politics exterior the body – these extraordinarily fractious debates over gun rights and gun protections that may render younger victims of shootings an afterthought.

Director Joshua Seftel speaks on the SCAD Savannah Movie Competition on October 31, 2025 in Savannah, Georgia.
Derek White/Getty Photos for SCAD
“The phrase ‘gun’ isn’t mentioned on this movie,” Seftel famous. “So, it’s a movie about gun violence that by no means says the phrase gun… It was a course of to get there. Initially, we thought we’ve got to acknowledge the talk, the political debate. And we even had a sequence the place you would hear folks debating the totally different sides and if there are sides on this — which I don’t suppose there actually are. After which over time, because the movie began to take form and are available collectively, we realized that we didn’t want that. I didn’t need there to be something on this movie that might give an individual a motive to show it off.”
The filmmaker continued, “We simply felt like there isn’t a debate round this. Everybody agrees that you simply ship your child to highschool, they need to be secure. And that’s easy. There’s no argument. Everybody agrees with that. And if we are able to simply get again to that concept and keep in mind that these are actual lives they usually’re actual folks, they’re not statistics, it’s not only a headline, however there’s an empty bed room, that perhaps that’s a little bit of a reset, and that’s our hope.”




